“You walk in that door from the outside, and it looks like a very attractive factory building on Niagara Street,” said Larry Quinn, the Buffalo developer who led construction for Great Point. He visited Great Point’s Yonkers studio, where the series “Raising Kanan” occupies multiple soundstages, and which gave him a glimpse at what the Buffalo studio will be.
“What you’ll see inside is people all over the place doing different things: adjusting lights, sewing costumes, washing hair, acting, shooting with cameras, accountants,” Quinn said. “It’s amazing how many professional skills come to work to pull off any media production.”
The Great Point complex brings Buffalo’s count of available soundstages to eight. The others are at Buffalo FilmWorks, which has four stages on Babcock Street, and Buffalo Toronto Public Media, which has one.
The Buffalo project is a piece of Halmi’s plan to build “best in class” studios in major entertainment-industry hubs and provide “a better experience to producers,” he said, “than anybody else in our industry.”
Great Point doesn’t produce movies, but rather helps outside producers make their films by providing studio space, gear, location scouting support, crew, catering and whatever else the production company needs.
Halmi’s goal is to build those all-in-one studios in New York, Atlanta, Los Angeles and London. He is a little more than halfway there: Yonkers covers the New York City market and allows filmmakers to tap into New York State tax breaks. From a strategic perspective, Buffalo is considered an extension of that New York footprint, and gives filmmakers the opportunity to take advantage of an extra 10% tax credit for shooting upstate, which can bring the full benefit to 40%.
A Great Point studio slated to open next year in nearby Newark, N.J., is also considered part of that New York market. Great Point has a studio in Atlanta, which is a major U.S. filming market, and overseas in Wales. London and Los Angeles still remain.
“This is where Buffalo will really get a big advantage,” Halmi said, noting the cost efficiencies of shooting in Buffalo. The crews are “much less expensive, and hungrier,” he added, “and the studio costs are a quarter of what it is here.”
He listed other expenses that are less in Buffalo: equipment, feeding people, housing people, renting cars.
“It’s just an incredibly efficient place to make product,” he said.
Halmi anticipates steering clients toward Buffalo for those reasons. Not necessarily mega feature films – “The big projects really aren’t worried about those kind of savings,” he said – but rather filmmakers who are working with more constrained budgets.
“We get on shows with our clients a lot earlier than most studios. They really come to us to help them figure out how to make something. They can’t figure out how to make it for the money they have,” he said. “Now that we have Buffalo open, there are going to be a lot of times when we say, ‘This show doesn’t need to be in Yonkers. It needs to be in Buffalo. You’re going to get extra tax credits. The crew is cheaper. You’ve got the locations right here. The crew br is here. Buffalo makes more sense.’ ”